Tag : olympus sp, 550 w, adapter, fisheye lens, 25x super, phoenix 0
 |  Company : Digital Innovations List Price : Amazon Price : Used Price : Average customer review : |
Features
- Tube Adapter Included
Product Description
0.25X magnification makes your standard or wide angle focal length lens an ultra-wide "fisheye" lens + Mounts to the filter threads of almost any digital or film SLR lens with series 7 adapter rings + 4 adapter rings are included: 49mm, 52mm, 55mm & 58mm + With 0.25X: 50mm Lens = 152 degrees; 35mm Lens = 166 degrees; 28mm Lens = 175 degrees angle-of-view + Made in Japan with high quality all glass lens construction + The name "fisheye" refers to a lens capable of imaging an entire hemisphere; providing a circular view that a fish looking upward at the surface of the water might see. Fisheye lenses achieve extremely wide angles of view by foregoing a rectilinear image producing their characteristic convex appearance. Don't confuse this .25X quality Phoenix optic with ".42X/.45X... Panoramic...Super Wide Angle... Semi Fisheye...Titanium... Crystal Optics" type lenses whose rear elements unscrew to be used as "macro" lenses. They cannot even approach delivering the high quality 180 degree field of view that this lens is capable of producing. The all glass high resolution optics of the Phoenix .25X Super Fisheye is manufactured in Japan and has been engineered to do one thing and do it well -- increase the field of view of a lens by a factor of .25X to provide an amazing fisheye view. Depending on the camera model and lens it's mounted upon, the image can cover the entire frame edge-to-edge or provide a circular image fully contained within the frame. Mounted to a zoom lens, the Phoenix .25X can often offer ultra-wide angle, diagonal fisheye (full frame) and circular fisheye images. Close focusing is almost to the front of the optic and there's huge depth of field. The .25X can be a great tool for real estate agents or for just having fun! If you plan on doing panoramic or full room shots, just stand your tripod in a corner facing the center of a room. It can capture almost everything, floor-to-ceiling, wall-to-wall, except what is directly behind the camera.
