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Smile UK Store - I'm Not There [2007]
![I'm Not There [2007]](http://ecx.images-amazon.com/images/I/51poLvZQjmL._SL160_.jpg)
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List Price: £19.99
Our Price: £12.98
Availability: Usually dispatched within 24 hours
Manufacturer: Paramount Home Entertainment
Starring: Cate Blanchett, Ben Whishaw, Christian Bale, Richard Gere, Marcus Carl Franklin
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Average Customer Rating:  
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Audience Rating: Suitable for 15 years and over
Binding: DVD
EAN: 5014437953339
Format: PAL
Label: Paramount Home Entertainment
Manufacturer: Paramount Home Entertainment
Number Of Items: 1
Publisher: Paramount Home Entertainment
Region Code: 2
Release Date: 2008-07-14
Running Time: 130
Studio: Paramount Home Entertainment
Theatrical Release Date: 2007
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Editorial Reviews:
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Unapologetically audacious, I'm Not There is more post-modern puzzle than by-the-numbers biopic. A title card sets the scene: "Inspired by the music and many lives of Bob Dylan." Yet the film features no figure by that name. Instead, writer/director Todd Haynes presents six characters, each incarnating different stages in the artist's career. Perfume's Ben Whishaw, a black-clad poet, serves as a slippery sort of narrator. The action begins with the wanderings of an 11-year-old black runaway named "Woody Guthrie" (Marcus Carl Franklin)--his raucous duet with Richie Havens on "Tombstone Blues" is a highlight--and ends with a silver-haired Billy the Kid (Richard Gere) watching the Old West die before his eyes. In the interim, there's the folk singer-turned-preacher (Christian Bale), the actor (Heath Ledger), and the rock star (Cate Blanchett, who has Don't Look Back Dylan down to a science). The chronology is purposefully non-linear, and editor Jay ! Rabinowitz cuts rapidly, Jean-Luc Godard-style, between cinéma vérité black-and-white and saturated colour, Richard Lester-like slapstick and Fellini-inspired surrealism (Ed Lachman served as cinematographer). What makes the picture fun for Dylan fans--and potentially frustrating for neophytes--is that every album and movie bears an alternate title. Ledger's Robbie, for instance, stars in "Grain of Sand," actually a reference to the Pete Seeger song. As in Haynes' glam rock reverie Velvet Goldmine, the trickery involves the entire cast. While Julianne Moore plays former lover Alice, a dead ringer for Joan Baez, Michelle Williams embodies elusive scenester Coco, i.e. Edie Sedgwick. If I'm Not There is less affecting than Control, the year's other big music film, it rewards repeat viewings like few biographical features. The soundtrack mixes originals with covers, like Jim James's heartfelt "Goin' to Acapulco." --Kathleen C. Fennessy
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Spotlight customer reviews:
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Customer Rating:
Summary: Pretentious Tosh
Comment: Complete pretentious twaddle. Fell asleep after ten minutes. Dont watch this film you will never get the time back. I only gave it one star because Amazon won't let me give it zero.
Customer Rating:
Summary: Almost amazing.
Comment: I love Dylan and when I heard that a movie of his life was going to be made I was caught between excitement and anxiety. Anxiety becasue biopics are usually so naff they undermine the artists they try to portray. But Haynes nearly - nearly - succeeds where so many have failed.
Firstly the multiple Dylans is a stroke genius. Blanchette and Ledger stand out and make the film worth watching by themselves. However, its biggest strength is its biggest weakness. It's not long before you become lost in the stories and the various narratives. It becomes very difficult to seperate the different strands and Richard Gere's portrayal is just baffeling while Bale's is cheesey in the extreme(but perhaps that's the point? Hmm, I wonder.)
Nevertheless it's beautifully shot, funny, intense, tragic and oh so many more adjectives that I can't think of right now. For Hollywood this is a remarkably inventive movie that is a must for Bob fans...though others may not get it.
Customer Rating:
Summary: Very challenging !!
Comment: This film has been described as challenging and sprawling, although, interminable, disjointed and pretentious could also be applied. It's the first movie I've ever walked out of after what seemed like several gruelling hours. Cate Blanchett's acting is brilliant and is the only 'accessable' thing in the whole film. You'll watch it if you're a Dylan fan, but probably only once.
Customer Rating:
Summary: Extraordinary and Unique
Comment: Saw this last night and I was spellbound. It won't be everyone's cup of tea but I adored it. Cate Blanchet, Ben Whishaw, Christian Bale, and the very young Marcus Carl Franklin (superb) were all outstanding. The impressionistic film portrayed the times and Dylan's world beautifully. What can I say - keep an open mind and try to see this on a large screen with good sound. Otherwise you may not "be there".
Customer Rating:
Summary: the old, weird america
Comment: I'd really just like to say a word or two to those who persist in describing the Richard Gere segment of this film as its weakest point: please go back and listen to The Basement Tapes, pay attention to the sleevenotes, and if you've got the time and intellectual energy, read Greil Marcus's Invisible Republic. You will recognise all the strange characters who populate that eerie place that seems to hover between this world and some other (Marcus's Invisible Republic, or The Old, Weird America), and you will see why Gere's character is so crucial to this kaleidoscopic view of Dylan's art. I found this part of Haynes's admirably ambitious movie to be the most thrilling, and Jim James's otherworldly rendition of Goin' To Acapulco the most stunning piece of music (outside Dylan's own, naturally). Much of Dylan's best work seems always to be just beyond our grasp, which is partly why it is so compelling, but there are gateways to a deeper understanding available to us if we can be bothered to look for them. Like all gateways they can let us in or they can keep us out. Our choice.
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